<Medium x Medium・媒介 x 媒介> 展覽以「 The __ is the ________ 」出發

開放給觀者思考，未來資訊閱讀的方式是否隨著科技的進步而真的更加速食化，亦或是閱讀者將回過頭來尋找可以細嚼慢嚥的養分？同時也思考著，跨越不同媒介間的同樣資訊傳遞，是否擁有同等的重量？一直以來，訊息的形體因為詮釋者的不同，樣貌會不斷的被改變。資訊從過去的由單一媒體主宰「The Media is the Message」狀態，到「The Medium is the Message」的延伸，再轉變成開放媒體架構的「The User is the Message」樣貌，資訊來源不再單一，快速的改變了人們閱讀、理解訊息的方式。

. Exhibition Art Direction : O.OO
. Production : The Affairs 週刊編集, O.OO
. Client: The Affairs 週刊編集, Not Just Library 不只是圖書館
. Year: 2018

破身影 Broken Spectre

此展集合了許哲瑜、蘇匯宇與余政達三件委託製作的影像裝置作品，分別回應台灣1990年代的三個文化史檔案，包括台北空中破裂節（1995）、台灣渥克劇團早年劇碼，與文化評論雜誌《島嶼邊緣》中一場酷兒身體的對談。展覽重新凝視當時以身體官能為基底的文化實踐──關於破敗的身體、踰越的感官、未竟的烏托邦。

The three commissioned video installations by Hsu Che-Yu, Su Hui-Yu and Yu Cheng-Ta in this exhibition respectively echo three cultural productions in Taiwan during the 1990s: the Taipei Breaking Sky Festival (1995), the plays by the Taiwan Walker Theatre in its early days, and an article featuring a discussion on the queer body in Isle-Margin, a magazine of cultural criticism. With the perspectives from today, this exhibition seeks to revisit, also to reimagine the specific cultural practices which was shaped by the physical senses, the practices related to the wrecked body, transgressive sensations and unmaterialised utopia.

. Exhibition Identity : O.OO
. Client: ET@T www.etat.com
. Year: 2017