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🧒🏻👦🏼 is a design studio 🔎️ that explores a diverse array of graphics, prints 📁, risograph 🔮️ and visual experiments.
Risograph is unlike CMYK printing. Through an independent system, it prints out colors individually, just like Pantone.
O.OO™ has a total of 16 colors available at the moment. Please check the color swatches below!
If this is your first trial of stencil printing, we suggest starting with duotone (using just two colors) printing. When designing your images, try to take advantage of the transparent properties of the Risograph oil ink. By overlapping two colors, you may get the third special color when they are appropriately mixed!
If you want to print on both sides of the paper, we suggest not using more than 4 colors on one side, and your design must avoid going full bleed!
When making the files, we must consider the imperfection of stencil printing. For example, it is expected to see an uneven color distribution when printing with a full bleed. Or when the paper surface features an unsmooth texture, the printout can look pretty speckled. It is inevitable to receive an inaccurate position of colors in duotone printing.
It is the tiny imperfections that make each print unique. While it’s never perfect, you will always enjoy the color vibrancy and paper tactility in every printout that digital printing can’t offer!
Frm mono-color to multi-color, you may experiment with different ways of overprinting. Still, the cost must be considered before the print production begins. The more colors in use, the higher the price will be.
O.OO™ has a total of 16 colors available at the moment. Please check the color swatches below!
If this is your first trial of stencil printing, we suggest starting with duotone (using just two colors) printing. When designing your images, try to take advantage of the transparent properties of the Risograph oil ink. By overlapping two colors, you may get the third special color when they are appropriately mixed!
If you want to print on both sides of the paper, we suggest not using more than 4 colors on one side, and your design must avoid going full bleed!
When making the files, we must consider the imperfection of stencil printing. For example, it is expected to see an uneven color distribution when printing with a full bleed. Or when the paper surface features an unsmooth texture, the printout can look pretty speckled. It is inevitable to receive an inaccurate position of colors in duotone printing.
It is the tiny imperfections that make each print unique. While it’s never perfect, you will always enjoy the color vibrancy and paper tactility in every printout that digital printing can’t offer!
Frm mono-color to multi-color, you may experiment with different ways of overprinting. Still, the cost must be considered before the print production begins. The more colors in use, the higher the price will be.
孔版印刷擁有自己的色彩系統，就像Pantone色彩系統一樣，每一色都是特殊色，是無法透過一般四色印刷去呈現出效果。
O.OO™ 目前總共有16色可以供印刷，請參考下方色表！
剛開始嘗試孔版印刷，我們建議可以從2色疊印開始，並且在製作檔案時，利用孔版印刷油墨有半透明的特性，將兩色適時的交疊在一起，可以混出第3種特別色！
若印刷品為正反雙面印刷，我們建議一面最多印到4色，並且不能滿版！
在製作檔案時，必須將孔版印刷不完美的特色考慮進去，譬如說印滿版時，容易有色彩上分佈不均勻或是紙材凹凸起伏較大時，畫面容易有斑駁感，印刷兩色以上時，一定會出現對位不準確的狀況。
這些印刷上的小瑕疵造就了每張成品都是獨一無二的特性，雖然它從來都不完美，但你可以在每一份印刷品中感受到數位印刷無法擁有的色彩活力和紙材觸感！
從單色至多色的疊印都可以嘗試著實驗看看，但在製作前必須考慮到成本，使用的色彩越多，印刷成本將會成正比的提高！
O.OO™ 目前總共有16色可以供印刷，請參考下方色表！
剛開始嘗試孔版印刷，我們建議可以從2色疊印開始，並且在製作檔案時，利用孔版印刷油墨有半透明的特性，將兩色適時的交疊在一起，可以混出第3種特別色！
若印刷品為正反雙面印刷，我們建議一面最多印到4色，並且不能滿版！
在製作檔案時，必須將孔版印刷不完美的特色考慮進去，譬如說印滿版時，容易有色彩上分佈不均勻或是紙材凹凸起伏較大時，畫面容易有斑駁感，印刷兩色以上時，一定會出現對位不準確的狀況。
這些印刷上的小瑕疵造就了每張成品都是獨一無二的特性，雖然它從來都不完美，但你可以在每一份印刷品中感受到數位印刷無法擁有的色彩活力和紙材觸感！
從單色至多色的疊印都可以嘗試著實驗看看，但在製作前必須考慮到成本，使用的色彩越多，印刷成本將會成正比的提高！
GREEN
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ORANGE![]()
YELLOW![]()
RED
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BLUE
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LIGHT TEAL
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AQUA BLUE
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BROWN
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FLUOR PINK
FLUOR GREEN
LIGHT PURPLE
FLUOR ORANGE
WHITE
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LIGHT GREY
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METALLIC GOLD
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BLACK
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